Reviews

Electro Bromance – We Are Like A Time Bomb! (CD Album – Deepland Records)

By Oct 15,2017

Genre/Influences: Future-pop, techno-body.

Background/Info: Electro Bromance is a Brazilian duo unleashing its debut full length. They previously released a self-titled and self-released EP. A few songs from the EP have been featured on the album as well.

Content: The opening cut reveals a solid techno-body sound mixed with some pop elements. Quite progressively the real source of inspiration emerges at the surface. Electro Bromance is dealing with electro-pop, which they mixed with other influences such as EBM and future-pop. You’ll also notice a few dance-pop cuts. The songs have been composed with electronics and guitar. I also have to mention the very efficient vocal parts. The singer’s timbre of voice sometimes reminds me of Robert Smith.

+ + + : This album is a nice surprise. It’s not that often we discover cool electro-pop from Brazil, but this album is worthy of examination. The opening song is something harder and somewhat into techno-body music, but it’s a phenomenal song. It sounds a bit like Syrian meeting Komor Kommando. The other cuts will appeal to nostalgic future-pop freaks. Electro Bromance feels comfortable experimenting with different influences, but in the end it all remains good underground-pop music. From danceable songs to other cuts supported with some melancholia to a kind of wave-pop music, this album is a real cool surprise.

– – – : I regret there’re no other songs than the opening cut in this harder techno-body style. But I have to admit Electro Bromance feels comfortable dealing with more familiar electro-pop fields as well.

Conclusion: Brazil and electro-pop music is not exactly a successful match, but Electro Bromance must be the exception to the rule. They’ve accomplished a sexy debut album featuring multiple great songs.

Best songs: “Euphoria”, “Dig Deeper”, “Erotic Playground”, “Beloved”, “Black Phillip”.

Rate: (8½).

Band: www.facebook.com/electrobromance

Label: www.facebook.com/DeeplandRecords

 

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Deadrow77 – Dark Waves for Little Greys (DCD Album – Facthedral’s Hall)

Deadrow77 – Dark Waves for Little Greys
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Kurt Uenala aka Null + Void may not be a familiar name for many music fans, but chances are you've heard his work. The Swiss-born New Yorker is the kind of prodigious musician you'd call a "lifer": no matter where he is or what he's doing, music is the focus. He first made his name in 2003, debuting as Kap10Kurt on the essential compilation The Sound Of Young New York. His song "Die Sleeping" was an early classic of dreamy, club-ready synth pop, and it caught the attention of fans and artists around the world. It eventually landed him a gig recording with Depeche Mode singer Dave Gahan, not to mention a long list of major acts such as Moby and The Kills. The collaboration with Dave was especially fruitful—the two became friends, and it wasn't long before Kurt began writing original songs for Depeche Mode. His love for vintage synthesizers, dark electronic music, and exploring unusual chord structures was a natural fit. The more Kurt worked with Dave and Depeche Mode, the more time he spent at his Manhattan studio. He started writing his own shadowy, melancholic songs, filling them with angular beats and moody atmospheres. After a while, the basis of Kurt's new solo project, Null + Void, took shape.

Depeche Mode frontman Dave Gahan featured in newest Null + Void video for the track 'Where I Wait'

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